Links to some radio, podcast, TV & film interviews. Also check out my IMDb filmography.
Those who say "print is dead" have never clutched a carefully designed collection of artwork and writing and felt an electric charge of anticipation.
A sleekness of style, a perfect balance between stunning images and intriguing content—the magazines that do it right never get old or tired, only more valuable with age, more cherished with each read.
Emerging from the old leather factory-turned-artist-mecca, the Tannery Arts Center, the Catamaran Literary Reader is absolutely worthy of the electricity its inaugural issue has sparked in Santa Cruz and beyond.
While it embraces something very Santa Cruz, Catamaran's themes of environmental consciousness, freedom and innovation resonate with a global audience as well.
And that's exactly what founding editor Catherine Segurson intended.
"The east coast has so many magazines, for instance The New Yorker, it's contributors are from all over but it sounds like it's coming from the east coast, and I wanted to create something that sounds like it's coming from here," said Segurson.
Segurson, who dreamed up the magazine last year around this time and raised over $10,000 on kickstarter in order to launch it, credits a team of eight editors for the killer line-up.
During the celebration of Catamaran's first issue last Friday at the Tannery, managing editor Elizabeth McKenzie, an award winning Santa Cruz-based author and editor pin pointed it best:
"I had for years a poster over my desk...it was a quote from Ezra Pound that said 'Literature is News that Stays News,'" said McKenzie.
"And I think that's why we as editors, and you as readers, love a magazine that brings you literature like this," she said.
Indeed, Catamaran asks to be both savored and chipped away at slowly, like a gourmet chocolate bar kept in the freezer, and voraciously ripped through in one reeling day.
Local gems include a non-fiction essay by marine biologist Wallace J. Nichols of Davenport, Outré Banks of the Mind, which introduces Nichols' concept of "Blue Mind."
"My hunch, as I stand there on the pier, is that hidden beneath the surface of the water we will find massive, yet to be quantified, but irrefutable cognitive benefits. I believe the ocean irresistibly affects our minds," writes Nichols.
Read more here.
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"We stand at the edge of the sea. We say nothing. We breathe its salt, its oxygen. We see its... continue